Hi all,

SC:Digital is back with the fifth soundclash featuring members from the Subvert Central community.

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SC Digital Soundclash Volume 5




















SC:Digital returns with a selection of up and coming global artists. As dnb and electronic music spans all corners of the globe, we felt it was time to show the diverse backgrounds and nationalities of the artists that are starting to shape the future of electronic music, a future where we are all united through our love of beat culture. From jazz-inspired drum and bass sounds from New Orleans to Experimental hip hop from South Africa, this collection of rhythms shows that sound can transcend any differences we have as individuals. Electronic music is truly now a global art.

Massive thanks for all the artists involved (and their incredible patience) and a special thanks to Bob Macc for taking the time to master these all for free


Chris

After a short hiatus, SC Digital is back with a couple of sonic experiments courtesy of Pinecone Moonshine’s TVG hates TVG.

Context

TVG whisks us off into a land where metallic pads come to life and transform into cybernetic entities in some distant future. This is the sound of earth in the 25th century, when man has long gone, leaving only machines to dance to their own robotic poems.

Talking to Wolves about the Sky

Taking a more spiritual path, TVG continues to transcend the norm, as his beats weave and pulse to a deeper ethereal power. Deep bass, splintered beats and contemplative harmonies are the ingredients for another master class in fractured rhythms.


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This time around we bring you a few bangers from Eschaton

singularity -
This song has a great 80's electric vibe. A steadily progressing rhythm morphs into a sonic trip through electroland. Well placed hits with just the right pads make it a side journey from the norm but a welcome break from your typical DnB release. Put on a good pair of headphones, crank it up and tune out.

Eclipse -
More along the lines of a DnB release, Eschaton delivers an excellent assortment of scattered beats and old west wahs. The beats wind down the dusty old roads waiting to find it's watering hole. This song delivers a steady beat while mixing it up with the background ambience. Solid drumwork ready to make any head sway.

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Subvert Central Digital Soundclash vol. 2

SC:Digital proudly presents our very first four track digital EP release! As part of our ongoing commitment to bringing you fresh sounds from unheard voices in electronic music, and presenting them in the best way possible we are pleased to announce that each of these tunes has been specially mastered for MP3 by none other than MACC (Outsider, Subtle Audio), so those (few!) of you who still persist in your beliefs that no free net label could possibly offer tunes that are on a par with anything else out there with no cost to the consumer are going to be tucking in to nice warm slices of humble pie in 5... 4... 3... 2...

Anonymi � Dance of the Yakasaru � Clocking in at a somewhat lower bpm than the rest of this release, Dance of the Yakasaru proves that there�s plenty of room to sound fresh at a tempo that, to many of us, is inextricably linked with our raving past. Despite its relative brevity the four minutes on offer here manage to blend strings, pan-pipes, woodwinds and what sounds like the distant hum of an accordion with choppy percussion and a bubbling bassline into an intoxicating little roller of a tune.

DB-1 � Plastic Clouds: Kicking off the proceedings, DB-1 delivers a deep warm and meditative slice of electronic melancholia, with spacious echoes of Detroit-inspired chords alternating with huge washes of euphoric pads and a plucky synthesised bass, all anchored to a simple minimal break and some plangent melodic touches. Fans of some of the slower Subtle Audio material would be well advised to give this a listen.

Fada - We Become Shattered (Parallel remix) starts off with an unsettling vocal sample, which gives way to a deceptively straightforward groove that tatters and frays before the drop heralds its return, complete with effortlessly funky edits, plaintive melodies and a stripped down and funky feel, crucially never making the mistake of sacrificing groove for over-complexity. Worth checking if you're a fan of some of the minimal cuts on Esoteric.

SC9 & Creep � Materia starts off in the manner it means to continue, spooky strings, echoes and some marvellously focused percussive effects add up to a slice of classic sub bass heavy filtered drumfunk action. The marvellously detailed percussion manages to evoke memories of mid nineties Reinforced choppage without ever sounding like a hackneyed tribute to a sound of yesteryear, testament both to the confidence of these two producers (of whom we have absolutely no doubt but that you will be hearing of again) as well as to the evergreen vitality of the classic sound that inspires them.

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After a bit of an extended hiatus SC:Digital are pleased to be back with some stellar music from two fresh producers who are sure to be making waves soon.

Coleco brings a lushly arranged breaky atmospheric roller that takes in every style, sound and move as its sinuous breaks unroll, starting off with faint crackly radio noises before sublime washes of lush atmospherics, spoken samples, acoustic guitars and sensuous female vocals slip in and out of the expertly crafted arrangement. The breakdown and second drop twist things up completely introducing an more electronic flavour that gradually fades to the background, supplanted by atmospherics, acoustic guitars and ethnic sounds, a real melting pot of sounds and a tasty tune indeed.

Phedoz kicks off on a bleepier electronic flex, delivering a smooth but not slick slice of multilayered electronica, with an excellent use of contrasting sounds a quirky robotic pastoral vibe… If the shepherds of this world ever get replaced by robots the way the parents of the original techno pioneers were then I’d imagine the breakdown is what they’ll play on their panpipes as they guard their flocks, before heading back to the city to drink oil cocktails to the sound of the second half of the tune.

Thanks to Tyranny for the track descriptions, and thanks to Britvarama for the great artwork accompanying the release.

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