RELEASE New Krust on 31 Recordings

I am interested:
Music critic for the Tally Ho

53:00 here:

and 7:00 here:


beats are there to be broken

The question is whether or not the tune works in a set or not. Perhaps I am bound to conformity and a time where sets were built up with momentum, and where minimal tunes kept the vibe although added ebb within the flow of the club's atmosphere. As electronic music, It's decent, yet you can hear that the vibe recedes in the set. It would have worked with more trademark Krust bass edits.

Why is it that a lot of the old guard want to sound exactly the same? Are they using the same templates, presets and effects?

I actually like both tracks, and they grow on me Xyxthumbs
Music critic for the Tally Ho

My kind of stuff! Loving it more with every listen.

Concealed Treachery is great, not so keen on Portal but has it's place.
beats are there to be broken

I heard it for the first time last Saturday night and was more than impressed.  Has the sparseness, the crispness and Krustism's I've been waiting to hear for quite some time.  Good job!

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