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"Plentitude - continuums post-clowncore"

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Plentitude - Mike Buckingham

There is a lot to say about hardware versus software. So much so that, often, lots of producers of various forms, including me
forget the nascent reality of pre-Bluetooth, ghost code being activated from remote electronics. But is it all remote? Like
telling someone to bugger off is a relationship between a splinter and a cell, certain machines need to have the circular space
- they need to be plugged in, preferably in the same maximum of a studio and studio bedroom.

A reverb chamber - heard of it? It's likely most of you have. Twenty years ago the dnb and noise, junkie for rave culture forum,
www.dogsonacid.com, referred the lifestyle of stop-and-start, mash-or-munch, drink-or-go-dunce from dehydration cultural ideas,
partnered with Brian Belle-Fortune's very "it's all good - forever" treatise All Crews paperback (the name comes from the nutter
hardcore of Noise Factory - All Crew, a track that, just as mash-and-munch on your DJ mixer, goes very well with dubsteppers of
2005, Vex'd on Planet Mu, and their breakthrough album 'Degenerate' [2007).

Like the difference between Burial's made-in-Sound Forge compound eye, the slower tempos of another production gambit: rewire,
a step sequencer [Cubase and Logic, 2000-2020 high cost; MULAB 3, 2013, low cost; Ableton, 2009, extortionate, hence pirates] is
using "rewire", generally, upon every production session, every surrogate canvas - every lateral thinking, to quote Joe McPhee,
the jazz saxophonist's term in The Wire 2011-2012 for the "sidechain compression" reality of every maxed-to-crap your pants bass
trap - it's all there, albeit gradually. Bass traps, indeed, on Dogs On Acid production forum The Grid [active most in 2003, the
year I logged on to DOA for fifteen years before DJ Fresh [Bad Company techstep founder, pre-clownstep happy hardcore] needed
to, pardon the repetition, 'rewire' their entire forum], to trap bass became a thing that most fledgling producers, living with
their parents generally, wanted to avoid - bass travels all ways; all angles. Wrong speakers? It's just bass traps. How does this
relate to "plentitude" itself?

In one sentence: if there is plentitude, do you need to wire yourself up to the mains?

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